The DVD screeners we're shipped out this week to potential distrubutors. Hopefully we'll start getting some responses early next week.
So far, I've had two meetings with companies regarding domestic DVD. Both are interested in the film. However, my domestic deal I'm not as concerned about right now. With AFM right around the corner we need a good foriegn sales agent first.
A lot of companies will try to buy "worldwide rights" that covers, well, everything. I'm not particularly interested in a deal like this unless it's a REALLY good deal. My best bet is we'll end up doing separate deals for domestic and foreign.
We started sending out email query letters to distributors today regarding "Killing Down". So far we've had a positive response... of course they haven't seen the movie yet, just the new poster artwork and a synopsis - but, I think most will like the film.
Next week we'll send out DVD screeners to the interested folks and to various other distributors that Mark Litwak (our producer's rep) has a relationship with.
Things are definitely in motion.
I've had very little time to blog lately. Between finishing the color correction (it's done), the sound mix (it's done), and working on NEW artwork (again) for the movie - I've been busy as all get out. Not to mention I was in Vegas on a corporate shoot early last week, and then back in Dallas later in the week directing a TV spot for an alarm company... it's been crazy!
But, things are looking good on the "Killing Down" front. As I've said many times, it's taken A LOT longer than planned, but it's almost done and will be worth the wait.
Here's a mock-up of the "new and improved" artwork:
This will be the front of the one-sheet that will help sell the movie to potential distributors. Hope to find a good foriegn sales agent in the next two weeks or less to rep the film at AFM.
Keep your fingers crossed.
Working with producer's rep and attorney Mark Litwak again. So, we'll see what offers come our way.
I didn't realize the hard drive was 50 years old. Pretty wild if you think about it. I found an interesting article on Yahoo! about it, from the article...
"In 1956, the first hard drive was two refrigerators wide and stored the equivalent of one MP3 song."
"Today, on 2.5-inch platters we have 15,000 times the capacity of the original IBM RAMAC... the advancement is startling when compared to the pace of other industries: In the auto industry, to keep that same pace, they'd have gone from fitting five people in the car in 1956, to fitting 160,000 people in that car; or, from getting 25 miles per gallon to 62,500 miles per gallon."
So how do you ask does this matter to filmmaking or distribution? It's probably one of the single most important things there is (besides a good movie!).
- Right now movies are being shot on cameras that record to hard drives - NO film or tape
- Virtually every movie is edited on a computer using tons of hard drive space - even if it was shot on film - that film is scanned into computers
- One of the hottest sites on the Internet is YouTube - a place where video clips, short films, etc. are stored on hard drives for the masses to watch (a.k.a. distribution albeit for free)
- And of course the future of feature film distribution (Hollywood and indie alike) is directly linked to digital downloading of movies to computer hard drives
So you see? Hard drives and technology go hand-in-hand with filmmaking and distribution.
I've talked before about how being a filmmaker today it is really beneficial to be technically-minded as well as creative. The best folks in my opinion are both!
Click here to read the entire article.
This is interesting to me (being from Dallas)... not sure if it's good or bad? I'd say probably good, but there are just SO MANY film festivals these days that they all get a bit watered down. Are any of them really that important?
I mean, stats show only one in ten "Sundance" films even get distribution...
(CBS 11 News) DALLAS CBS 11 News has learned the City of Dallas has landed a major international film festival. After a year of negotiations, the American Film Institute has signed on to help run the festival.
For years Dallas has been home to several small film festivals. The city however has lacked a major international event; the type to draw world-wide attention… starting in the spring of 2007 that may change.
Cities such as Park City, Utah, Toronto and Austin have greatly benefited from high-profile film festivals. Now the City of Dallas is hoping to join that elite group with a new international film festival.CBS 11 News has learned that the Dallas Film Society has signed a deal with the American Film Institute or AFI.
According to the three-year agreement obtained by CBS 11 News AFI will provide use of its name and will help run the festival. In return, AFI will be paid $836,000.
The event will be called the Dallas/AFI International Film Festival and is scheduled to run in the spring of each year, beginning in 2007.
Although organizers declined to comment, an office for the AFI festival is already up and running in the ‘W’ building. Sources say the W Hotel will be a major sponsor.
Films are likely to be screened at the Magnolia, the Angelika and the Inwood Theaters, to name a few.
The new agreement will likely have an affect on other Dallas film festivals. While the Deep Ellum Film Festival will likely to go away, organizers from there will help run the new festival. As for the USA Film Festival, the director tells CBS 11 News that event is, “here to stay."
Bart Weiss is director of the Dallas Video Festival. He fears the new festival will be one where style wins over substance.
“It's a big festival. We’re afraid it is going to do a poor job and go out of business... and because they go out of business, it will make it difficult for all of us ‘mom and pop’ shops to keep doing what we do well, because we'll have this black mark on us."
Sources say the goal is to make the Dallas-AFI event a top 20 festival by drawing thousands of film fans, ‘a-list’ movie stars, and millions of dollars to the city.
The proposed budget for the new festival is roughly 2.3 million dollars for a 10-day event, with the money likely coming from corporate sponsorship.
Again, I do think this is good news for Dallas and film in general, but I'm just hesitant on the idea of another film festival. I think they grow on trees.
"Killing Down" is almost ready to be screened for potential buyers. We're working feverishly to ready it for the American Film Market (AFM) in November - actually we're working feverishly to ready it to screen for foriegn sales agents that will then rep it at AFM.
What that means though is we don't have much time.
Today is September 2nd and the market is only two months away. Most buyers want their films 30 days out from the event. So, that means we have roughly 30 days to finish the film, finalize our new artwork for the one-sheet, set up a screening and/or send out DVD screeners, and make a deal. That's a lot, but it can be done and I am confident we can make it happen.
If you are a buyer interested in the rights to the film please send an email to email@example.com and we can arrange a screener.
Otherwise please contact our Producer's Rep:
433 N. Camden Drive, Suite 1010
Beverly Hills, CA 90210
We will be having an LA "industry" screening too - not sure of the date yet though. We're making arrangements for this and will post information soon.
Who Am I?
I also created the Streamy and Webby award-winning web series PINK, which to date has been viewed online around 10 MILLION times at places like YouTube, Hulu, Koldcast and TheWB.com. And speaking of TheWB.com, I also produced and directed an online thriller for them called EXPOSED. It was released summer 2010. And most recently I created a new online sci-fi series called CONTINUUM, which is part of the online indie TV network JTS.tv - Just The Story and NOW available via VOD through indie platform Distrify.
Oh, and I don't shoot weddings. Thanks for asking though.
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