Gearing up to shoot our new WB web series "Exposed" on 9/8/08. Here are two teasers promoting the new site...





Check it out TheWB.com.

-Blake

If you're an actor please do the following:

1. PUT A DEMO REEL ONLINE FOR PRODUCERS TO SEE
2. BE ABLE TO VIDEOTAPE YOURSELF FOR AN AUDITION

We live in the "Internet Age", yet I'm constantly surprised that actors do not have an online reel, or that they can't shoot video of themselves. I understand if you don't have footage for a reel - okay. But you should AT LEAST have a MySpace page with pictures, resume, etc. Yeah sure, if you have an agent they'll have this stuff too. But market YOURSELF.

And today with productions happening all over the map it is IMPERATIVE that you have a way to tape an audition. I use the word "tape", but today there are tons of "tapeless" options out there such as the Flip Mino. It is about the size of a phone and shoots excellent video - especially for online. Tons of YouTube folks use this camera. It's only $180. A small investment to be able to easily tape and upload or send auditions. If you don't have a Myspace page or a personal web site, then just upload audition to YouTube. You can easily pull it down afterwards.

If you're serious about acting, then you should be serious about getting acting jobs. And these two small things can greatly help.

-Blake

Nice mention of our new show "Exposed" in Variety today...
http://www.variety.com/article/VR1117990615.html

Check it out when you have a moment.

-Blake

Check out the latest teaser video from "88 Hits" right now on YouTube. Show premieres 09.09.08.



-Blake

This is very, very funny...



and here's Part One.

-Blake

Got this notice today from Revver...

We're featuring your video "88 Hits" on Wednesday, 8/13 on RevverLive, our new live web show produced in collaboration with LiveVideo.com. The hour-long show airs live daily at 1pm PST and features the best and most conversation-sparking Revver videos, with rotating hosts using LiveVideo's robust social video platform to interact with viewers in real-time via video and text chat.

The immediacy with which fans can participate in conversations about your videos makes this a unique opportunity for audiences to engage with your work and with each other, and is a great way to help you promote your work. Feel free to join in on the coversation or watch from the sidelines to see what viewers think by checking out the show here (if it's not live, check out the archived episodes):

http://www.livevideo.com/liveshow/Revverlive

Tell all your friends to log in and watch live and comment! ALSO, since the show is produced daily in Hollywood, we'd love to have any of you LA-based creators come in to the studio on the day of the show to introduce your video and talk about it a bit with the show's host and viewers.

If you're able to tune in, we recommend creating a LiveVideo account with the same username as your Revver account and then joining the chat so that host and viewer alike can interact with you.

Let us know if you have any questions about this, or want to get involved in the show!

So that's pretty cool. I hadn't heard of this kind of thing before, online anyway. I'll be tuning in, and if you can check it out or visit their show archive to listen later.

-Blake

Hulu is owned by FOX and NBC. So we're very happy to have "Pink" on the site. Later in September it will all be in HD too (and will eventually include our new Season 2 episodes).

Check it out:
http://www.hulu.com/pink-the-series

Thanks!
Blake

So this is not filmmaking per se, but it does deal with visual effects...

Some of the fireworks during the Olypics opening ceremony were evidently fake! Hmmm. I realize it's entertainment, but it's also a "news" event. So that is really close to crossing the line IMHO.

Read entire story here.

-Blake

UPDATE 8/12/08: So, another fake out by the Chinese! Now they're saying the little girl who sang during the opening ceremoney didn't really sing! They pulled a Milli-Vanilli on the entire world... read it here.

If you haven't checked out Vimeo yet, you should. It's another one of many web video sharing sites - but this one is different. Mainly because it is one of the first to allow users to upload HD video. And it also plays it back for viewers in a streaming flash player that looks really good.

I have a new page on the site:
www.vimeo.com/blakecalhoun

I currently have the first "DIY's Guys" episode up and the "88 Hits" teaser (this was shot in SD though).

Anyway, definitely check out the site when you have a moment. Oh, and also be sure to click the "full screen" option on the lower right hand side of the HD player, that way you'll get the full HD experience. :)

-Blake

First few days of casting have gone well for "Exposed". We're continuing to cast this next week too. So if you are an interested actor, or know of an actor who fits one of the roles. Please contact me at loudpics[@]yahoo.com.

See previous post down this page for character descriptions.

The main roles we need more folks to audition for are ALICIA, HENRY and CARLOS.

Thanks,
Blake

I found this story to be interesting and pretty funny too...

August 6, 2008 - MEXICO CITY -- This weekend, thousands of Mexicans will line up at theaters to see "The Knight of the Night," "Super Agent 86" and "The End of Time." Never heard of them?

Those are the literal translations of the Spanish titles given to "The Dark Knight," "Get Smart" and "The Happening," examples of the marketing tactics that can leave cinephiles baffled as Hollywood reaches out to increasingly important foreign audiences.

Depending on the nation, moviegoers are watching Steve Carell of "Get Smart" in "Max the Menace" (France), "Agent Smart: Casino Totale" (Italy), "Is the Spy Capable or Not?" (Taiwan), or "Confused Spy" (China).

Titles often are tweaked to suit local tastes. Last year's comedy hit "Knocked Up" was given the gentler title "Slightly Pregnant" in Roman Catholic Peru and the gloriously blunt "One Night, Big Belly" in China.

Hollywood has taken a more active role in translating its titles in recent years, says David Weitzner, a former chief of worldwide promotion for 20th Century Fox and Universal. Some films make half of their money overseas, and studios are increasingly doing "global launches" to generate buzz.

"We have to pay much more attention to the foreign market than we used to," Weitzner says.

The translations used to be left to foreign film distributors, with dubious results. Some titles gave away key plot points, such as when "Rain Man" became "When Brothers Meet" in Latin America.

U.S. film titles for foreign movies often are odd, too. "Open Your Eyes," a Spanish film about a man in suspended animation, became "Vanilla Sky" when it was remade with Tom Cruise.

-Blake

Good article called "They're Spinning Their Own Web" in the LA Times about web series productions. I know several of the filmmakers, distributors, agents, etc. mentioned... good group of folks.

THE SCREEN ACTORS GUILD and television and film producers see eye to eye about hardly anything these days, yet on one thing they can agree: The Web is the battleground.

Talks between SAG and the Alliance of Motion Picture and Television Producers have ground to a halt, and a possible work stoppage looms. But as the parties caucus with their lawyers and negotiators over next steps, production on the very thing that divides them -- entertainment created for new media platforms -- continues at a fever clip across town.

Click here to read entire article

-Blake

We had a Street Team (aka Hot Chicks) at Comic-Con handing out and applying temporary PINK tattoos. They supposedly handed out around 4000 and applied 1000. I didn't get to go to the event, but it looks like it was a good time...

We're now casting for "Exposed" - the new web series for TheWB.com.

Primarily looking for these roles:

1. Henry - Caucasion/20-25/Athletic
2. Alicia - Hispanic/18-22
3. Chase - Caucasion/20-25
4. Gail - Caucasion/18-22
5. Carlos - Hispanic/40-50
6. Dimitri - Caucasion (Russian)/17-21
7. Ulanyov - Caucasion (Russian)/45-55
8. Priest - Caucasion/40-60

We also have a lot of day player roles we'll be announcing soon too.

If you are interested please send an email to loudpics[@]yahoo.com with your headshot and a link to your demo reel, if available.

Thanks!
Blake

Pretty cool...I'll have to give this a try!



Video Cam Super Trick! - video powered by Metacafe

-Blake

Okay, so Netflix is, well, Netflix. They are not and were not a huge player in Independent film financing and distribution, but they tried to be. And now they're closing Red Envelope's doors.

I'm sure they'll still look at indie films for Netflix distribution, but it sounds like not near as much as they once did. The article below says they are shutting down the operation because they "didn't want to compete" with Hollywood studios (their customers). While I'm sure there is a slighty bit of truth to that statement, that is not the real reason. Let's be honest here. They weren't making their money back. That's it. And that's the problem with almost all independent film today. It's a great artistic outlet - I love watching indie film (and making them). But if you want to eat you can't survive making independent films. And not that Netflix wasn't surviving - they just weren't making money. That's my take anyway, and as usual I could be wrong. Decide for yourself...

------------------------

July 24, 2008 - By ANICK JESDANUN -- NEW YORK -- The movie-rental service Netflix Inc. is closing a small unit that finances independent movies, partly to avoid competing with Hollywood studios with which it partners for DVD and Internet distribution. The financial impact on the company will be small, and only four out of about 400 employees are losing their jobs.

But the move could make it more difficult for smaller producers to find homes for their movies. Netflix' Red Envelope Entertainment had focused on bringing less-commercial projects to a broader audience. The unit acquired or helped finance independent films, distributing them in movie theaters as well as in the regular Netflix channels -- DVD by mail and online streaming.

Netflix spokesman Steve Swasey said the company began the unit as an experiment about two years ago, but ultimately decided that financing movies was not its forte. He said filmmakers still have plenty of outlets for financing and distributing movies, "and we don't need to do that to get great titles on Netflix."

Swasey said the company weighed the fact that it was often in the same room with studio partners at film festivals, and "we didn't want to compete" with them.

Movies distributed through Red Envelope -- named for the red envelopes used to ship Netflix DVDs -- include "Sherrybaby," "No End in Sight," and "4 Months, 3 Weeks and 2Days." Red Envelope typically partnered with a larger company for theatrical release.

-------------------------

-Blake

I always like to see film production and film financing out of Texas and I hope this one succeeds. But I've known several groups trying this over the years and none have worked out (yet). This one might have the right ingredients though based on the below article. You have true money managers running the investment fund (with an existing client base), and then "movie" people running the production side. It could work...

So you wanna be in (independent) pictures? Now you can, for $50,000














Fort Worth money manager launches fund with hopes of hitting upon the next 'Juno’

By JIM FUQUAYjfuquay@star-telegram.com

By some estimates, 7,000 to 8,000 independently produced films are completed each year. Most never see the light of a projector bulb.

But some do, and a few, most recently Juno, go on to pull in millions of dollars at the box office, video store and syndication. Now a Fort Worth money manager wants to give well-heeled investors a shot at participating in a winner without taking too much of a bath on the inevitable losers.

Riley Hutto Wealth Management said it has created Independent Film Capital Llc., in partnership with Los Angeles-based IndieVest, a 2-year-old firm that will review scripts and oversee film production and distribution. Riley Hutto’s job is find people with at least $50,000 to invest in independent films.

Bill Riley and Greg Hutto started their firm in January after working together in the investments industry for a decade. They are the first in what IndieVest founder Wade Bradley hopes will be a stable of investment advisers who will offer his company’s films to accredited investors, generally described as individuals whose net worth exceeds $1 million.

Investing in movies

Riley said the path to Independent Film Capital started when he was looking for alternative investments — instruments other than stocks and bonds — to offer his clients.

Big foundations and endowments put sizable portions of their assets in real estate, commodities and private equities, he thought, so why not offer something similar to affluent investors?

Movies got into the picture when he met Bradley, a venture capitalist who was looking for financial support for his company. Bradley’s concept is to take some of the risk out of film investing by forming a kind of "one-stop shop" that connects investors with film projects that he has screened and — perhaps most importantly — can assure distribution in theaters.

Do indies make money?

How many independent films actually make money?

Hard numbers are difficult to come by, because although box-office receipts can be had, movie budgets and distribution expenses are rarely public. Likewise, ticket sales are only a part of a film’s earnings. Video rentals and sales, plus TV licensing, can far outearn the original box office.

In 2007, 751 newly released films played in theaters at some time during the year, according to The Numbers, an industry news service. Right in the middle of those films, as ranked by box-office receipts, was Broken English, a romance distributed by Magnolia Pictures, the company owned by Dallas entrepreneur Mark Cuban and partner Todd Wagner.

Broken English played in 41 theaters at its peak and grossed just under $1 million during the year, according to The Numbers.

Cuban, in an e-mailed response to the Star-Telegram, said that as challenging as it is merely for an independent film to get produced and distributed, "doing any box office at all . . . is even more difficult."

Distribution in the nation’s more than 5,000 theaters is a huge hurdle. About 600 films a year are rated by the Motion Picture Association of America for U.S. distribution. Big studios produce 200 to 250 of those. Independents vie for the rest of the spots.

IndieVest, as part of its pitch, guarantees distribution. Bradley said his strategy is to first place a film in 25-50 theaters the first week. That keeps down his distribution costs, the biggest being production of prints and advertising, collectively termed P&A.

"At the end of the day, we decide whether it’s gaining traction," he said of a film’s early screenings. If it is, he ups distribution to perhaps 200 theaters, then 500, up to as many as 1,500 theaters.

Starring Steve Buscemi

IndieVest principals include Mark Burton, who was executive producer for Water, nominated for an Oscar last year in the foreign-language-film category.

Its advisory board includes actors Don Cheadle (Hotel Rwanda, Crash, Boogie Nights) and Liev Schreiber (The Painted Veil, TV’s CSI: Crime Scene Investigation).

Bradley said the company is about to start filming its first project, titled Saint John of Las Vegas, featuring Steve Buscemi, the hapless and horny kidnapper-turned-murderer in Fargo.

The film has a $10 million budget. That’s considered relatively low in the business these days, but enough to provide a shot at bankable personnel and a competent script.

A "moderate" scenario detailed in investor materials envisions the film bringing in $21.6 million in net revenue and returning about $6.5 million to investors. Under a "low" scenario, it brings in just $3.4 million and returns nothing.

Cuban said in his email that he tries to improve an independent film’s economics by distributing it via his own Landmark Theaters, Magnolia Video and HDNet, the high-definition television channel he launched in 2001. He just started a new strategy of releasing films first on HDNet’s video-on-demand service, hoping to build some buzz before the film’s theatrical premiere.

"Leveraging the promotion of the VOD on cable and satellite allows us to be more precise in our P&A spending, which in turn leads to profitability on not all, but more of our releases," Cuban wrote.

Harold Vogel, principal of Vogel Capital Management in New York and author of Entertainment Industry Economics, said investing in movies is not for the faint-of-heart.

But he thinks IndieVest is going about it the right way.

"I admire the innova- tiveness of their structure," Vogel said, because it provides the equivalent of a reality check on a filmmaker’s hopes.

Riley Hutto added its own wrinkle to risk management by packaging investments in units that include five different films. Averaging out the returns of several movies, Riley said, should lessen the chance of suffering a total loss while boosting the chance of landing a hit.

Vogel also liked that idea.

"That’s the correct approach," he said. "Never invest in just one film. The smart way is to get a portfolio of projects that spreads the risk.

Riley said his Independent Film Capital project has been well received by clients.

"They know it’s risk capital, and it’s fun," he said. "If you’re an investor, your name is on the credits as one of the producers."

Click here to see actual article at Fort Worth Star-Telegram site.

-Blake

Been meaning to post this for a while...

The new show I'm producing/directing is called "Exposed" and will premiere online at www.theWB.com. The site needs Beta Testers right now to help build the new community. It's a very cool website (yeah, I joined).

You can already watch hit shows like "Buffy The Vampire Slayer", "One Tree Hill", "Friends", "The O.C.", "Gilmore Girls", etc. and soon you'll be able to see their new "Original Content" for the web - and one of the shows is "Exposed". There are five others premiering too.

So definitely go and register and help spread the word.

-Blake

A few years back I directed a feature film called "HIT". It did pretty well at film festivals, with critics, etc., but I never landed a full-fledged distribution deal. Yeah, I had some offers here and there but they really were not very good. In fact, I've been planning to do a self-distribution release of the film for a while now.

Well, since I've had some recent success with "PINK" online I've decided to release a web series version of "HIT" called "88 HITS". We're also talking to some folks about pitching it as a traditional TV show down the line too. But for now, we will premiere the first webisode in September on YouTube, Revver, and several other places along with the main website www.mobumentary.com.

Right now you can check out the promo for the upcoming release here and here.

You can also watch it right here:



The web series is being created from the current footage and storyline of the feature film. It will be an abbreviated version - in a way a promo for the actual film, which by the way will be available on DVD this fall too (probably late fall). I hope the web series will get enough attention to get folks to check out the full feature - and even better to get the opportunity to make either new episodes for the web - or again create a new pilot for traditional television.

One last thing, we're also premiering a completely new spin-off show called "The DIY's Guys" starring the same characters from "HIT". It's a Do-It-Yourself Home Improvement series with a twist. A mob twist, and a punch, maybe a kick, etc. You get the idea. :) This show will start on 08.05.08. Click here to see the YouTube Channel page for it.

Definitely check this stuff out when you have a moment. Thanks!

-Blake

This is a link to a blog posting of Mike Curtis. Great rant on indie film...

From the piece:

“Of the 5,000 films submitted to Sundance each year—generally with budgets under $10 million—maybe 100 of them got a U.S. theatrical release three years ago. And it used to be that 20 of those would make money. Now maybe five do. That’s one-tenth of 1%. Put another way, if you decide to make a movie budgeted under $10 million on your own tomorrow, you have a 99.9% chance of failure.”

Check out entire article here. Definitely worth a read.

-Blake