If you are in the film business it is VERY LIKELY you are familiar with the website IMDb.com a.k.a. The Internet Movie Database.
I personally visit this site all the time. I use it not only as a fan of other people's work, but as a tool to research films and primarily to research actors I'm interested in for future projects. This is one reason anyone who is an actor and has done any short film or feature film work should list their name on the site. Or, have the producer or director of the film you were in list it for you (they will be listing the project I assure you). It's actually very easy to do and a great way to get some publicity. AND, it's actually the main site that everyone (including Hollywood folks) use to look people up - from grips to actors to directors. If you are in the entertainment industry you should be on IMDb.
This brings me to the main point of this post. The NY Times has a really good article on the relatively unknown founder of IMDb. His name is Col Needham. I have been using the site for at least 8 or 9 years and I had never heard of him. All I knew was that the site originated out of England - and sure enough - that's where Col is from.
From the article:
As the founder and managing director of the Internet Movie Database, Mr. Needham might just be the archetype of the telecommuting Web-head. The site he founded and runs, http://www.imdb.com/, ranks as the 10th-most-popular entertainment spot online, according to ComScore Media Metrix. It had 18.6 million unique visitors in April, a 67 percent surge from a year earlier.
Internet Movie Database began in 1990 as a bulletin board database of movie credits. It was started by Mr. Needham and some film-buff friends. At the time, Mr. Needham was working as an engineer in Bristol at Hewlett-Packard (or, as he says in his native Manchester lilt, "Hewlett Pa-Cod") and had only a rudimentary strategy for financing the site.
"We didn't sit down and think, 'What's the best way to make money on the Internet?' " Mr. Needham said. "This is very much a labor of love. When we started the company, there was no commercial use of the Internet."
By 1998, the database had established itself as a favorite on the early Internet, and Mr. Needham was amused to receive a number of buyout approaches.
One was an invitation to a London hotel in January to meet with Jeffrey P. Bezos, the founder of Amazon. Mr. Bezos told Mr. Needham that he thought the movie database could help Amazon sell VHS cassettes and DVD's — Mr. Needham points out that it was in that order in those days — but also recognized that the site would need to be run separately to maintain its personality. Amazon, of course, could handle the technological end and pour resources into upgrades.
I didn't know that Amazon OWNS IMDb. I've always seen the links to Amazon, but they are very subtle. This might be changing soon though. In the article it mentions that Amazon might start using IMDb as a "front door" to their new movie download service that will allow users to burn their own copy of a DVD at home. Details are still being worked out, but there are several Hollywood studios involved. Sounds interesting for sure.
I just hope they keep IMDb the same. Without it no filmmaker or actor would have proof that they even existed (except of course their films, and they may not want to show them). ;)
Read the full article from the NY Times (you might have to register to read it).
-Blake
In all the films I've made - short films and feature films - there comes a point in the process where you have to decide if it is "done" - and this is a very subjective term.
One person's idea of a great film is another person's idea of something awful. That's one reason (among many) that making a good movie is sooooooo hard to do ("good" being subjective of course). Even the "best" films have parts people don't like. In the end you simply can't make everyone happy. So you just have to make the best film you can taking into consideration the opinions of folks you trust (by doing preview screenings early and often).
I just saw an interview with Ron Howard and Brian Grazer at Cannes where they talked about the fact that they didn't do any early public press screenings of "The Da Vinci Code" - or any public test screenings. The key word here is "public".
Ron Howard says he had at least 10 advance screenings of the movie - all done in private though - and several of them at his house for about 25 or so people. He would get folks he could trust not only to not talk about the film, but to relay HONEST opinions about the movie. Not sure how well this worked of course based on the early critical response to the film (although it's doing gangbusters at the box office).
We've only had one truly public screening for "Killing Down" (so far) and the response was very good. I did have three private preview screenings along the way for some key cast and crew - and we fixed several problems and made things better.
Getting feedack is crucial. But, you have to take some with a grain of salt. Again, it's all very subjective. Generally speaking, if I have at least three people say the same thing I'll take a look at it and likely change it. For instance, if three people say a scene is slow, I will often times take a look at it and tighten it up. Sometimes I won't. But I do listen to the feedback.
Right now "Killing Down" is not done in the true sense of the word. As mentioned in previous post - we're still finishing the score, sound design, a few visual effects and the final color correction. However, after screening the film (and showing it to a few other folks since then) I do feel I want to make the film tighter too.
So when is done "done"? Maybe never. Look at George Lucas revising "Star Wars" 20 years later. Heck, I'm considering adding a scene back into my last feature "Hit" for the DVD release we're doing later this summer (I'll speak to this in more detail in another post). But for "Killing Down"? I'm not sure. I just want the film to be as good as I can make it. Subjectively speaking of course...
-Blake
Here's the first round of pictures from the festival screening and the after party. More to follow soon....
Natalie Raitano and Sheree Wilson in the theater
About 25 minutes before screening in the 500 seat theater (picture doesn't do much justice - it was a HUGE theater)
Julio Cedillo and Oliver Tull before the screening
From L to R... Matthew Tompkins, Brett Miller (Sheree's boyfriend), Sheree Wilson, Julio Cedillo and Oliver Tull at the after party on the rooftop near downtown Dallas
From L to R... Blake Calhoun, Natalie Raitano and Sheree Wilson in the loft at the after party
View of downtown Dallas from the rooftop after party
From L to R... Mara, John (friends of mine) and Natalie Raitano
More pix will be uploaded over the next several days...
-Blake
